the issue

It does not happen too often that one single theatre is reported on interna- tionally. Obviously, Teatro Valle in Rome really seems to make a differ- ence here. After a back and forth and plans to sell the oldest and one of the most important Italian theatres in or- der to end the Valle's history, it was occupied by its artists and employees on June 14th, 2011 -- and still is. Since then it is run by the occupants, the comunardi, and the news report that the Valle has experienced its second spring. While it is said to be amongst the most popular theatres in Rome, the Fondazione Teatro Valle Bene Comune [Foundation Teatro Valle Common Good] presents us with a unique and controversial con- cept to liberate the Valle from empty national and communal coffers.

In this issue, Nicola Fano and Ubaldo Villani-Lubelli discuss the occupa- tion and analyse the success and the shortcommings of the comunardi. Valerio Gatto Bonanni, founding member of the Fondazione, speaks about their aims and motifs, and makes up an interim balance. Franco Ungaro draws conclusions about au- tonomy and practical alternatives for European theatre. Gerd Buurmann examines the situation and the con- troversy of Teatro Valle to answer the question about the future of theatre in general.

 
 

about

Daniel Austerfield and Katharina Herold

With theatrama, we want to offer young theatre makers and playwrights the space to share their work and their perspectives with an international audience. The magazine is designed in the way that each issue is dedicated to one topic. In the issue, the main article sets up the frame of the issue and the anchoring points. This framework is a carefully selected limitation of the topic for a comprehending and comprehensive discussion. And that is what our authors do; they controversially discuss their opinions, positions and perspectives combining both a theoretical and a practical layer. theatrama aims at not presenting a common sense or reaching a consensus. Instead, we focus on a controversial and inspiring argument.

Since the issue is published only digitally, we make use of unique features of such publications. For example, throughout the magazine you will find marked areas in the text and around photos. These markings indicate links either to other articles in the issue or other homepages outside theatrama. In doing so we like to enable you to easily follow hints and references given in the articles. Even though a link back is not always given we still hope for you to find your way back and continue. In this sense, enjoy your read.

 
 

contact / imprint

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Daniel Austerfield
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12051 Berlin
Germany

Phone: +49 (0) 30 20673929
info@sonfield-verlag.de
Web: www.theatrama.com

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Daniel Austerfield
Emser Str. 12
12051 Berlin
Germany

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